A few examples of appraisal values for
ROGERS SILHOUETTE

• ROGERS, Charles, (American, 1848
  ROGERS, Charles, (American, 1848 - 1918): Coastal Surf Scene, Oil/Masonite, 16'' x 20'', signed lower right, signed and title illegibly verso, marked Monhegen, framed, 25.5'' x 29''.
• SILHOUETTE. Probably by Auguste
  SILHOUETTE. Probably by Auguste Edouart (French 1789-1861). Full-length cutout of a bearded man in a coat. Faint white inked details. Partial inked identification on the back of the portrait marked ''Paris''. Glued at top to backing paper. In a frame 11 1/2''h. 9 1/4''w.
• HOWARD ROGERS (1932-2022), DOWN
  HOWARD ROGERS (1932-2022), DOWN TO WINTER PASTURES Fine Art
• SILHOUETTE IN THE MANNER OF AUGUST
  SILHOUETTE IN THE MANNER OF AUGUST EDOUART (FRANCE 1789-1861). Second quarter-19th century. Inked full-length portrait of a man in checked trousers. In a bird's-eye maple veneer frame 14''h. 12''w. Ex Rhea Knittle (Ohio).
• TWO FRAMED ROY ROGERS SILK BANDANAS
  TWO FRAMED ROY ROGERS SILK BANDANAS 1950s- 1960s, the first depicting Rogers along with Bullet and Trigger, presented in a plain wooden frame (30-1/4 x 30-1/2 in.); the second showing Rogers and Trigger, presented in burl wood frame (30-3/4 x 31-1/2 in.).
• GAY ROGERS (AMERICAN, B. 1942),
  GAY ROGERS (AMERICAN, B. 1942), CLEVER HUNTER, TWO FOXES Lithograph in colors, 1979, pencil signed, titled, dated, and numbered 31/38 lower margin, framed.
• HENRY ROGERS, FRENCH 20TH CENTURY,
  HENRY ROGERS, FRENCH 20TH CENTURY, PARISIAN STREET SCENE, OIL ON CANVAS, FRAME: 24 1/2 X 20 3/4 IN. (62.2 X 52.7 CM.)Henry Rogers, French 20th Century, Parisian Street Scene, Oil on Canvas,, Dimensions: Frame: 24 1/2 x 20 3/4 in. (62.2 x 52.7 cm.)
• AFTER CHARLES MARION RUSSELL (American
  AFTER CHARLES MARION RUSSELL (American 1864-1926). WILL ROGERS later casting. Bronze dark brown patina on a rouge de fer marble base. - Height: 10 in.
• SULTON ROGERS (AMERICAN/MISSISSIPPI)Sulton
  SULTON ROGERS (AMERICAN/MISSISSIPPI)Sulton Rogers (American/Mississippi, 1922-2003) , “Cat in Suit”, 1994, painted carved wood, inscribed and dated on underside, unsigned, h. 8 3/8 in . Provenance: The Doug and Cathy Gitter Collection.
• OUTSIDER ART, MARIE ROGERS, CHICKENRogers,
  OUTSIDER ART, MARIE ROGERS, CHICKENRogers, Marie, Chicken, Clay, 9 1/2 x 5 1/2
• MICHAEL ROGERS (AMERICAN, B. 1955)
  MICHAEL ROGERS (AMERICAN, B. 1955) 13 ½" x 11 ½" x 8 ½" Cast and etched glass, signed and dated on bottom edge.
• THREE SILHOUETTES. Second quarter-19th
  THREE SILHOUETTES. Second quarter-19th century. Hollow cut of gentleman with ink detail under eglomise liner and in bird's eye maple frames, 8.25"h. 7.25"w. Female ink silhouette with good detail (toning), 6.5"h. and 5.5"w. And, a cut silhouette of an 18th century man surrounded with gouache background. 5.25"h. 4.25"w.
• THREE SILHOUETTES. Probably American
  THREE SILHOUETTES. Probably American 1st half-19th century. Two hollow-cut portraits of a young man and a woman. The woman is identified as ''Sarah Lake Randall'' on the backing board. Imperfections. In gilt frames 6''h. 5''w 5 1/4''h. 4 1/4''w. Together with a late print of a man's silhouette in a frame 7''h. 5''w. The man has creases pinpricks and a missing corner (cracked glass) the woman has stains.
• ROGERS, George Jay, (AMERICAN,
  ROGERS, George Jay, (AMERICAN, b. 1926): Nude Red-Headed Angel with Wings and Spear, Watercolor and Marker, sight size 23.75'' x 18.5'', signed lower left, framed, 24.75'' x 19.5''. CONDITION: Frame shows wear, overall even toning.
• SILHOUETTE. England 1st quarter-19th
  SILHOUETTE. England 1st quarter-19th century. Full-length cutout of a boy with a cap. Gilt inked details. Heavy stock has an embossed mark for Thomas Creswick. In a bird's-eye maple veneer frame 12''h. 8 3/4''w. Appears to be in good condition.
• AMERICAN FOLK ART CARVING OF WILL
  AMERICAN FOLK ART CARVING OF WILL ROGERS. First quarter 20th century, maple. Standing figure in iconic pose. Paper note "Sven E_ricson West Chicago". 14.25"h.
• ROGERS, George Jay, (AMERICAN,
  ROGERS, George Jay, (AMERICAN, b. 1926): Abstraction in Pink, Black, and White, Oil/Board, 29.75'' x 40'', no visible signature, unframed. CONDITION: Several scattered abrasions, some surface loss in lower margin.
• SILHOUETTE. American 2nd half-19th
  SILHOUETTE. American 2nd half-19th century. Cutout profile of a man wearing a bowler hat dated in ink ''1876''. In an oval frame 7 3/4''h. 6 3/4''w.
• SILHOUETTE. American 1st quarter-19th
  SILHOUETTE. American 1st quarter-19th century. Hollow cut portrait of a boy identified as ''R. Watson 1814''. Embossed ''Peale's Museum'' label with eagle. Small tears. In a mahogany veneer frame 7 1/4''h. 6 1/4''w. Sold at Garth's.
• SILHOUETTE. Probably American
  SILHOUETTE. Probably American 1st half-19th century. Full-length inked portrait of a seated man in front of window with a lighthouse in the background. In a frame 9 1/2''h. 8''w.
• ROGERS STERLING SILVER ROUND SALVER
  ROGERS STERLING SILVER ROUND SALVER (MODEL 0327), D 8 IN. (20.3 CM.), 7.9 OZTRogers Sterling Silver Round Salver (Model 0327),, Dimensions: D 8 in. (20.3 cm.), 7.9 ozt
• ROGERS STERLING SILVER ROUND SALVER
  ROGERS STERLING SILVER ROUND SALVER (MODEL 0327), D 8 IN. (20.3 CM.), 7.9 OZTRogers Sterling Silver Round Salver (Model 0327),, Dimensions: D 8 in. (20.3 cm.), 7.9 ozt
• ROGERS, 21ST CENTURY, UNTITLED,
  ROGERS, 21ST CENTURY, UNTITLED, 2018, MIXED MEDIA ON CARD, 6 X 8 1/2 IN. (15.24 X 21.59 CM.), FRAME: 9 X 11 IN. (22.86 X 27.94 CM.)ROGERS, 21ST CENTURY UNTITLED, 2018, Mixed media on card Lower right signed and dated: Rogers 2018 Mixed media on card Dimensions: 6 x 8 1/2 in. (15.24 x 21.59 cm.), Frame: 9 x 11 in. (22.86 x 27.94 cm.) Provenance: Estate of Supreme Court Justice Ruth Bader Ginsburg to Benefit Washington National Opera
• SILHOUETTE. American 1st half-19th
  SILHOUETTE. American 1st half-19th century. Cut out portrait of a man wearing a cap. Gold inked details. Small tear. In a frame 6''h. 4 3/4''w.
• DALE ROGERS (MASSACHUSETTS, 20/21ST
  DALE ROGERS (MASSACHUSETTS, 20/21ST CENTURY) RUSTEDALE ROGERS (MASSACHUSETTS, 20/21ST CENTURY) RUSTED STEEL GARDEN SCULPTURE, "Lola's Dress," pierced artist's signature lower side, 62.75"H.
• SILHOUETTE BY AUGUSTE EDOUART (FRANCE
  SILHOUETTE BY AUGUSTE EDOUART (FRANCE 1789-1861). Stamped ''Augt. Edouart fecit 1827''. Full length cut out of a man with an umbrella. Framed with a copy of an advertisement for Edouart's silhouettes in Bath England. Overall toning. In a frame 13 1/2''h. 7 3/4''w.
• SILHOUETTE. American 2nd quarter-19th
  SILHOUETTE. American 2nd quarter-19th century. Hollow cut portrait of a woman with inked detail. In an eglomise mat with gilt frame 5 1/4''h. 4 1/4''w.
• ROGERS, Steve, (American, 20th/21st
  ROGERS, Steve, (American, 20th/21st Century): Florida's Southernmost House, Watercolor, sight size 21'' x 25.5'', signed lower right, framed, 32'' x 37''.
• SILHOUETTE. American or European
  SILHOUETTE. American or European 2nd quarter-19th century. Full-length silhouette of a woman with a hair comb and book. Hair ringlets dress and book highlighted in gold paint. Slight imperfections. In a frame 12''h. 9''w. overall toning of paper 3 pin prick sise dark spots.
• WILLIAM P. ROGERS. ROWING TO SHORE,
  WILLIAM P. ROGERS. ROWING TO SHORE, OIL (Irish, fl. 1842-1872). Oil on canvas, signed "W. Rogers" lr, sight size: 20 x 31 in., framed size: 23 x 42 inches.
• SILHOUETTE. American 1st quarter-19th
  SILHOUETTE. American 1st quarter-19th century. Embossed mark ''T.P. Jones/Fecit''. Hollow cut profile of an older gentleman with the small cut eyelash indicative of Jones' work. Initials THM in pen and ink. Imperfections. In frame 5''h. 4''w. Jones worked in New York and New England between 1805-1826. Toning of paper several pin prick size holes. Indistinguishable writing in pencil at bottom right. Some paper discoloration at top. Frame is missing onw ebony corner square.
• AUGUSTE ÉDOUART SILHOUETTEA silhouette
  AUGUSTE ÉDOUART SILHOUETTEA silhouette by Auguste Édouart (1789-1861) of a gentleman standing at a window in the parlour with a painted muted background. This silhouette was originally from the collection of Nathan Hale, a general in the American Civil War, and descended in the Hale family until sold privately in the late 20th century. Auguste Édouart was considered one of the best silhouette artist of his day and he cut silhouettes for the elite of American society. Signed and dated, NY, 1845. Mounted in the original bevel edge birdseye frame. H: 11.5"; W: 8.5" (at sight).
• Rogers Turner American, 20th Century
  Rogers Turner American, 20th Century Three Views of a Triton, 1977
  Estimate:$700-$900
• SILHOUETTE BY AUGUSTE EDOUART (FRANCE
  SILHOUETTE BY AUGUSTE EDOUART (FRANCE 1789-1861). Stamped ''Augt. Edouart fecit 1827'' (or 1829). Double full length cut out of men one seated in a chair one standing behind him. Framed with a copy of an advertisement for Edouart's silhouettes in Bath England. Overall toning. In a frame 12 3/4''h. 11 3/4''w.
• SILHOUETTE- circa 1790 of an African
  SILHOUETTE- circa 1790 of an African American Gentleman said to depict one of the most prominent Black religious leaders of the Eighteenth Century Reverend Richard Allen. In a metal frame of the period. H. 4 3/4'' x W. 4''. From the Marvin Sadik Collect
• ROGERS, George Jay, (AMERICAN,
  ROGERS, George Jay, (AMERICAN, b. 1926): Abstract Composition with Figures in an Interior, Oil/Board, 30'' x 40'', signed lower right, dated 1959, unframed. CONDITION: Some minor loss around the edges, several scattered abrasions.